1978    

Gabrielle Dalton, ‘Profile Juno Gemes’, Camera & Cine, August.

1981

Max Dupain, ‘Vitality shines through broken rules’, Sydney Morning Herald, 2 March.

1982

Mark Hinderaker, ‘Aboriginal Life: Three very different views in photography’, Sydney Morning Herald, 24 November.

1982

George Alexander, ‘Land – We Wait No More’, catalogue essay, Juno Gemes, ‘We Wait No More’, Hogarth Gallery, Sydney.

1983

Marcia Langton, After the Tent Embassy, Valadon Press.

1988

Catherine De Lorenzo, ‘Aboriginal Themes in Australian Art 1838-1988’, in ‘A Changing Relationship’, catalogue, SH Ervin Gallery, Sydney.

1989

Catherine De Lorenzo, ‘Under Another Sky, Juno Gemes 1968-1988’, catalogue essay, Palais des Expositions, Budapest, Hungary.

1990

Tracey Moffatt, ‘The Image Black’, catalogue essay, Department of Foreign Affairs and Trade, Manila.

1990

Joanna Mendelssohn, ‘The Yellow House 1970-72’, catalogue essay, Art Gallery of New South Wales.

1991

Catherine De Lorenzo, ‘The Imaging of Aborigines – Commitment to Land Rights’, History of Photography, Vol. 15, No. 3, Autumn, pp. 228-235.

1991

Maggie Gilchrist, ‘The Intimate Experience: Denials Distortions’, Angela Philip, ‘Trends and Traditions: Aspects of Australian Women’s Figurative Art’, catalogue essays, Belinda Webb, foreword, in ‘The Intimate Experience, Selected Australian Woman Artists’ Images of Women 1946-1994’, exhibition catalogue, Ivan Dougherty Gallery, Sydney.

1994

Ken Gemes, ‘Commitments’, exhibition catalogue, Institute of Modern Art , Brisbane.

1994

Juno Gemes, ‘In our Time – Photographs from the Movement’, Report AIATSIS.

1994

Jo-Anne Dreissens Report, ‘In Our Time – Photographs and Text from the Movement 1969-1994’, AIATSIS

1995

Lyn McCredden Dorothy Hewett, Dorothy Hewett: Selected Critical Essays, Fremantle Arts Press.

1995

Juno Gemes and Robert Adamson, ‘Hawkesbury Words and Images, Coda’, Overland 141, Summer 1995.

1995

Who’s Who of Australian Visual Artists, Thorpe in association with NAVA, p. 108.

1995

‘Juno Gemes, A Profile’, photofile, 46, pp. 24-27.

1995

Sylvia Carr, ‘Beyond The Picket Fence’, exhibition catalogue, National Library of Australia, Canberra.

1996

Catherine De Lorenzo, Public forum: ‘Travel, Tracks and Traces, Landscape and Photography’, Australian Centre for Photography.

1996

Robert Adamson and Juno Gemes, ‘Coda’, Overland 141, pp. 6-11.

1996

Rodney Hall, preface, The Language of Oysters, Craftsman House, G+B International.

1996

John Kinsella, ‘A Juxtaposition of Essences – Essay The Language of Oysters’, Craftsman House.

1997

Murray Waldren, ‘A new book pays homage to the Hawkesbury River in poems and photographs’, The Australian Weekend Magazine, 25 January.

1997

Alan Wearne, ‘Rhythms of the River’, Spectrum, Sydney Morning Herald, 22 March.

1997

Michael Wiley, ‘Revealing the complex world of the Hawkesbury River’, Antipodes, December, pp. 121-122.

1997

George Alexander, review, ‘The Language of Oysters, poems by Robert Adamson, photographs by Juno Gemes’, photofile 51, pp. 40-50.

1997

Dorothy Hewett, review ‘The Language of Oysters’, Cordite No. 2.

2000

‘Mum Shirl Tribute Exhibition’, exhibition catalogue, Boomalli Gallery, p. 25.

2000

Griff Rhys Jones, ‘on...Juno Gemes: Where the Sacred Fish Come In’, Evening Standard, London, 28 July.

2000

‘Another Country: Aboriginal art on the rights track’, Time Out, London, 2-9 August, p. 11.

2000

Nina Caplan, Photography, ‘Where The Sacred Fish Come In’, Metro, London, 9 August.

2000

Helen Smithson, Art, ‘Aboriginal Originals’, H&H Series, London, 18 August.

2000

Nicholas Usherwood, ‘Letter from London on Eddie Burrup and Juno Gemes’, Arts Monthly, November.

2001

David Hansen, ‘Juno Gemes in London’, Art & Australia, Vol. 38, No. 3, pp. 476-477.

2003

‘Proof: Portraits from the Movement 1978 -2003’, catalogue essays:
Andrew Sayers, ‘Foreword’; Frances Peters Little, ‘Actions On Film ... So Much More Than Words’; Rhonda Davies, ‘Incontra Personale’; Barry Hill, ‘For Hands in Each Others Pockets’. National Portrait Gallery, Canberra, Macquarie University Art Gallery, Sydney.

2003

‘Larrikins in London’, catalogue essay: Nick Waterlow. Ivan Dougherty Gallery, University of New South Wales, College of Fine Arts.

2003

Angelia Bennie, ‘Charting the moves for justice’, Sydney Morning Herald, 9 July.

2003

David Wills, ‘We are also what we have lost’, Muse #231, Canberra, August.

2003

Zoja Bojic, ‘Political images’, The Canberra Times, 29 August.

2003

Joyce Morgan, ‘Up Yours, Britannia’, Spectrum, Sydney Morning Herald, 30-31 August.

2003

Robert McFarlane, ‘Fruits of life and the unnatural’, Photography,
Sydney Morning Herald, 10 September.

2003

Nick Waterlow, ‘Celebrating the sixties – then and now’, Art Monthly #163, September.

2003

Elizabeth Fortescue, ‘Irreverent, noisy and very talented’, Daily Telegraph, 6 October.

2003

Anne Loxley, ‘Mixed media in frame’, Sydney Morning Herald, 31 December.

2003-2004  

Catherine De Lorenzo, ‘Photographic Proof’; Jennifer Isaacs, ‘Proof: Portraits from the Movement 1978-2003’, Art Monthly #166, Dec-Feb, pp. 11-13.

2004

Sasha Grisham, ‘Juno Gemes’, Art & Australia, Vol. 41 No. 3, p. 476.

2004

Christine France, ‘Larrikins in London – an Australian presence in 1960s London’, Art & Australia, Vol. 41 No. 3, p. 388.

2005

‘Our Community: a great place to be’, catalogue, National Museum of Australia, Canberra.