1987    

‘Promoting Aboriginal Art Abroad’, Department of Foreign Affairs and Trade Conference, Canberra.

1990

‘Current Mythologies, Aboriginal Art in Australian Society’, Mervin Bishop, Catherine De Lorenzo, Juno Gemes, Power Institute of Fine Arts, Art Gallery of New South Wales.

1992

‘The Record and the Remainder, Committed Photography’, Pacific Arts Association 5th International Symposium, South Australian Museum, Adelaide.

1993

‘Commitments, Living History’, Forum discussing collaborative work by Aboriginal and non-Aboriginal artists, Institute of Modern Art, Brisbane, Artspace Sydney, Canberra School of Art.

1994

‘Living History, Photography and the Aboriginal Struggle: A Personal View’, Common Week, Panel with Djon Mundine and Paul Pholeros, University of Newcastle, NSW.

1997

‘Perspecta – Intersections 97’, Care of Country/Politics and Representation, Panel with Joan Brasai, Alexander Mackie, Faculty of Fine Arts, University of New South Wales.

2003

‘Larrikins in London - Australian Artists in London in the 1960’s’, chair: Nick Waterlow, College of Fine Arts, University of New South Wales.

2003

‘Larrikins in London,’ with Jenny Kee and Richard Neville, Expo University of New South Wales.

2003

‘In Conversation’, Juno Gemes, Catherine De Lorenzo, Dr Craig San Roque, National Portrait Gallery, Canberra.

2005

PROOF Forum, Juno Gemes, Hal Wooton Q.C., Lester Bostock, Esther Carrol, Nigel Parbury, Macquarie University Art Gallery, Sydney.

2005

‘Proof in the Making’: Rhonda Davies. Museums of Australia Conference, Powerhouse Museum, Sydney.

2005

PROOF Paper: Catherine De Lorenzo. Conference, University of Virginia, USA.

2005

Forum: ‘History through the Lens - Living History’, Juno Gemes, National Museum of Australia & Centre for Indigenous History, ANU, Canberra.

2005

‘Community photography & activitism: Engaging with Redfern’, Catherine De Lorenzo, ‘History through the Lens’ Forum, National Museum of Australia, Canberra.