SMH 05.11.07
Files reveal the silly, scary
spies' eye-view of Aboriginal
history
Joel Gibson
CITY WEEKLY 01.11.07
Proof positive
Josie Gagliano
EXPRESS ADVOCATE 30.05.07
Art Culture
Kate Moore
PROOF

SMH 20.04.04
Beyond fashion to fine
portraiture
Robert McFarlane
SMH 02.04.04
Spotlight: Photography
Sunanda Creagh
SMH 26.03.04
Metro: The Week's Best
Alex Tibbitts, Editor
ART & AUSTRALIA Vol 41 #3
Juno Gemes
Sasha Grishin
SMH 01.01.04
Mixed media in frame
Anne Loxley
ART MONTHLY #166 12.03
Photographic Proof I
Catherine De Lorenzo
ART MONTHLY #166 12.03
Photographic Proof II
Jennifer Isaacs
MUSE #231 08.03
We are also what we have lost
David Wills
CANBERRA TIMES 23.08.03
Political images
Zoja Bojic
SMH 09.07.03
Charting the moves for justice
Angela Bennie
AAS 2003/2
Juno Gemes in conversation

WHERE THE SACRED FISH
   COME IN

THE LANGUAGE OF
   OYSTERS

Reviews

Sydney Morning Herald Arts 1 January 2004

excerpt from
Mixed media in frame
Anne Loxley

In the best Ruskinian tradition, sometimes the beauty/truth dyad is so exquisite I am moved to tears. This happened twice this year, both times in Canberra. Juno Gemes’ Proof: Portraits from the Movement 1978-2003 at the National Portrait Gallery’s Commonwealth Place was one great photograph after another. Gemes’ project documents the Aboriginal community over three decades, in moments sometimes personal, sometimes nationally significant. Oodgeroo Noonuccal (Kath Walker) in shorts in 1982 is impossibly fabulous.

| TOP